Diving Deeper into Prana

by Baxter

When I want to dive a little deeper into any yoga-related topic, I feel blessed to work with one of the smartest and well-studied yoga teachers in America today, Richard Rosen. Richard is the owner of the Piedmont Yoga Studio in Oakland, CA, as well as author of two books on pranayama (a word I will let him define in a moment) and a Shambhala audio series on pranayama, as well as a new book on the earliest yoga poses Original Yoga (see here to read the introduction). To experience Richard’s writing firsthand, in addition to getting one of his books, you can sign up to receive Piedmont Yoga Studio’s monthly email newsletter (see piedmontyoga.com/). He always includes a fascinating article on some aspect of yoga, which I always learn a lot from!

When I asked Richard if he had written anything specifically on prana, or energy, he immediately sent me a twelve-page word document on pranayama that contained some intriguing kernels of information about prana that I thought would complement our initial look at prana last week (see May the Prana be with You). If you read that post, you'll see that I was not too far off in my definition of prana last week if we look at how Richard frames it:

“Prana is not specifically the breath, but rather the “life force,” a subtle energy that pervades the universe and manifests, in one important way, as breath and breathing”

He mentions breathing here, because he is ultimately interested in prana’s relationship to the yogic practice of pranayama. There are a lot of definitions of pranayama floating around out there. If you take a public class, you might think it refers to simply watching or observing your breath. Or you might think it refers to one particular way of breathing, namely taking a longer in breath and out breath. If you have been a student of Pattabhi Jois’s Ashtanga yoga, you might equate pranayama to the Darth Vadar-like breath technique known as ujjayi breath. And you’d be partially correct, as all of these things are part of the branch of yoga practice known as pranayama.

View from First Bridge by Brad Gibson

But let’s step back for a moment and take a look at Richard’s definition of the word. We have his take on prana, but what about the second half of the term, ayama?

“Ayama means both “extension” and “restraint.” I think of pranayama as the conscious, intelligent cultivation and refinement of the life force through the medium of the breath.”  

Because we in the west have such a love affair with yoga poses, that is, asana, we have come to equate yoga with asana. As Richard points out, “you might be surprised to learn that traditionally pranayama is considered the central practice of hatha yoga.”  So if pranayama is the central practice of yoga, what kind of boon does it promise if we actually start to practice it regularly? Richard points out many documented (meaning they are mentioned in the source books on hatha yoga we have available to us) benefits that come from regular, consistent practice, done over a long time, including such things as stoking the digestive fire, appeasing thirst and hunger, opening the sinuses, curing may diseases and conditions, and purifying both the gross and subtle energy systems of the body. In addition, prana and the practice of pranayama are said to destroy illness and increase longevity. The ancient yogis were interested in this because it gave them more time to achieve their yogic goals.

Richard  also points out some more benefits that we should eye with a bit of skepticism, such as making you look like you are sixteen, making you a second God of Love, and bestowing even more extraordinary mental and physical powers. For us regular “householders,” what can we realistically expect from a regular breath practice? This of course depends a bit on what you put into it!  Richard states:

“It’s likely that you’ll become more aware of, and gain greater control over, your everyday breath. Why is this a benefit? It’s already well known and widely accepted that your breath and your mental states are closely related, that the former reflects and can be used, to a certain extent, to influence the latter…. With the instrument of your breath then, you can monitor and modulate you psychic “temperature” throughout the day, cooling yourself down when the mercury rises, and heating yourself up when it drops off.”

Both Richard and I have heard from students who claim their work with prana via breath has resulted in a more relaxed and energized life on and off the mat. And, finally, Richard concludes: “all this to say that your breathing will become less effortful and more efficient.” Realistically, the more efficient and responsive your respiratory system is, the better you are able to handle stress. The lower your stress levels, the more beneficial the effect of yoga on the aging process. It all seems to come full circle once again. From my vantage point, I love the fact that so many different techniques are available to us under the large umbrella of yoga to assist us as we age!

Next time we look at pranayama, I’ll share with you my favorite summer breath technique, so until then, do what you can to stay cool!

YOGA AND PARKINSON'S, PART ONE

by Richard Rosen, guest contributor

When we received a question last week about yoga and Parkinson’s Disease, we turned to our friend Richard Rosen. Richard Rosen is a senior yoga teacher, who has been practicing yoga for 31 years and who was diagnosed with Parkinson’s Disease about 9 years ago. Richard had so many interesting things to say in the response to the question that we decided to make it a separate post. -- Nina

Q: Interested in suggestions for yoga for students with Parkinson's.

A: Parkinson’s Disease (I prefer Condition) is a progressive degenerative disorder of the central nervous system. Common symptoms include loss of muscular flexibility, balance, and strength. You may notice that these are the very physical qualities promoted by the physical practice of yoga postures and related exercises. To a certain undetermined extent then, yoga exercises help to not exactly counteract PD symptoms, but go a long way toward at least a temporary amelioration. These exercises (depending on the frequency and intensity of practice) also help cultivate and refine greater body awareness, which in turn (again to an undetermined extent) allows the individual to self-correct certain of the symptoms. I’m hedging everything I say here because, as in all of life, there are no guarantees. Some conditions progress very rapidly, others only gradually. But in any case the sooner a credible practice is established the better it will serve the individual. I can’t stress this enough: once the diagnosis of PD is confirmed, if you’re not already practicing some form of yoga exercise, get started immediately with a competent teacher.

A Road through the Woods by Brad Gibson

 This is a very difficult question to answer in 25 words or fewer as it’s stated here. I would ask first about the students’ condition: are they pretty much at the same level of development, or are some farther along? If the former, are they all still fairly mobile, is their balance still decent, their strength and flexibility? If the latter, how serious is the situation? Do some need canes or walkers? Is the shaking debilitating at times? Different strokes for different folks is the operative approach.

And then I’d need to know something about the teacher, if there is one. Training? Experience? Are there props like chairs and bolsters? What size is the class, if there is one? Are there assistants if there are more than, say, 6 to 8 students? Don’t mean to be evasive here but a PD class is definitely not like an average public class, these are students that need extra attention.

Or are you asking in general about individual students you might be working with in a private setting? Again it’s important to tailor the work to the student’s level of development. Without more detailed information I can only give general suggestions. 

Certainly one of the most useful exercises would be a passive backbend over a bolster or rolled blanket (see here for a photo). We PD people tend to slump after awhile and the backbend helps encourage a long (not "straight") front spine. The thickness of the support would depend on the student, both his/her level of development and previous experience with yoga-influenced exercises (I assume when you say “yoga” you’re talking about asana like postures; please remember “yoga” is an umbrella term for a wide variety of schools and practices, and shouldn’t be equated solely with asana). Obviously the stiffer the student, the smaller the roll’s diameter should be, and stiffer students will likely need a blanket support under the back of their head to prevent jamming the neck, and should also keep knees bent and feet on the floor to avoid back strain. The roll should be positioned under the lower tips of the shoulder blades so that the arms can lay comfortably off to the sides, not higher that parallel to the line of the shoulders. Initially the student might stay for a couple minutes, then slowly over time, depending on the student and the seriousness of his/her practice, increase the stay to 5-6 minutes. I should emphasize here that if the student isn’t ready or willing to practice regularly—every day would be ideal—then the exercises will have minimal impact if only practiced once weekly or less.

While in the pose it’s essential that some attention be paid to the breath. Have the student pretend he/she can channel the inhalations slowly and directly into the space behind the sternum (yes, I know that’s where the heart is, I said “pretend”), so that each intake creates more and more space in the upper chest. On the exhalations have the student imagine sinking down over the blanket, so that with each successive exhale, he/she seems to be releasing more and more over the roll.

I’m not, at this point, particularly comfortable going any farther until I learn something more about the teacher-student relationship, the former’s chops and the latter’s needs. Please write to this blog again with more information about yourself and the students, and of what you intend to do with this instruction.

Richard Rosen is currently the director of Piedmont Yoga Studio in Oakland, CA. He is a contributing editor for Yoga Journal magazine, and is the author of three books, The Yoga of Breath (Shambhala 2002), Yoga for 50+ (Ulysses 2004), and Pranayama Beyond the Basics (Shambhala 2006). He’s also created a set of seven CDs titled The Practice of Pranayama, issued by Shambhala, and Shambhala will publish his Original Yoga, a book about traditional Hatha Yoga, in 2011. (To find out more about Richard and Piedmont Yoga Studio, see here.)